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Chinese Life and Culture
China boasts such a rich history that its culture is infinitely complex
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Ancient China Homepage
The Land of China
Geography
Major Chinese Cities
Section 1.3
Section 1.4
Section 1.5
Section 1.6
Section 1.7
Section 1.8
Section 1.9
Section 1.10
Section 1.11
Section 1.12
Section 1.13
Section 1.14
Section 1.15
Dynasties
Shang Dynasty
Zhou Dynasty
Qin Dynasty
Han Dynasty
Section 2.5
Section 2.6
Section 2.7
Section 2.8
Section 2.9
Section 2.10
Section 2.11
Section 2.12
Section 2.13
Section 2.14
Section 2.15
Inventions & Technology
Pottery & Porcelain
Silk
Compass
Paper & Printing
Gunpowder
Section 3.6
Section 3.7
Section 3.8
Section 3.9
Section 3.10
Section 3.11
Section 3.12
Section 3.13
Section 3.14
Section 3.15
Famous Chinese Figures
Emperor Qin Shi Huang
Sun Tzu
Empress Wu Zetian
Zheng He
Aixinjueluo Puyi
Section 4.6
Section 4.7
Section 4.8
Section 4.9
Section 4.10
Section 4.11
Section 4.12
Section 4.13
Section 4.14
Section 4.15
Famous Chinese Landmarks
The Great Wall of China
The Terracotta Army
The Forbidden City
The Three Gorges Dam
Beijing's Olympic Marvels
Section 5.6
Section 5.7
Section 5.8
Section 5.9
Section 5.10
Section 5.11
Section 5.12
Section 5.13
Section 5.14
Section 5.15
Chinese Life & Culture
Chinese Horoscope
Chinese Calendar
Section 6.3
Section 6.4
Section 6.5
Section 6.6
Section 6.7
Section 6.8
Section 6.9
Section 6.10
Section 6.11
Section 6.12
Section 6.13
Section 6.14
Section 6.15
Religion & Philosophy
Confucianism
Buddhism
Taoism
Section 7.4
Section 7.5
Section 7.6
Section 7.7
Section 7.8
Section 7.9
Section 7.10
Section 7.11
Section 7.12
Section 7.13
Section 7.14
Section 7.15
Timeline
Section 8.1
Section 8.2
Section 8.3
Section 8.4
Section 8.5
Section 8.6
Section 8.7
Section 8.8
Section 8.9
Section 8.10
Section 8.11
Section 8.12
Section 8.13
Section 8.14
Section 8.15
Section 9
Section 9.1
Section 9.2
Section 9.3
Section 9.4
Section 9.5
Section 9.6
Section 9.7
Section 9.8
Section 9.9
Section 9.10
Section 9.11
Section 9.12
Section 9.13
Section 9.14
Section 9.15
Section 10
Section 10.1
Section 10.2
Section 10.3
Section 10.4
Section 10.5
Section 10.6
Section 10.7
Section 10.8
Section 10.9
Section 10.10
Section 10.11
Section 10.12
Section 10.13
Section 10.14
Section 10.15
Section 11
Section 11.1
Section 11.2
Section 11.3
Section 11.4
Section 11.5
Section 11.6
Section 11.7
Section 11.8
Section 11.9
Section 11.10
Section 11.11
Section 11.12
Section 11.13
Section 11.14
Section 11.15
Section 12
Section 12.1
Section 12.2
Section 12.3
Section 12.4
Section 12.5
Section 12.6
Section 12.7
Section 12.8
Section 12.9
Section 12.10
Section 12.11
Section 12.12
Section 12.13
Section 12.14
Section 12.15
Section 13
Section 13.1
Section 13.2
Section 13.3
Section 13.4
Section 13.5
Section 13.6
Section 13.7
Section 13.8
Section 13.9
Section 13.10
Section 13.11
Section 13.12
Section 13.13
Section 13.14
Section 13.15
Section 14
Section 14.1
Section 14.2
Section 14.3
Section 14.4
Section 14.5
Section 14.6
Section 14.7
Section 14.8
Section 14.9
Section 14.10
Section 14.11
Section 14.12
Section 14.13
Section 14.14
Section 14.15
Section 15
Section 15.1
Section 15.2
Section 15.3
Section 15.4
Section 15.5
Section 15.6
Section 15.7
Section 15.8
Section 15.9
Section 15.10
Section 15.11
Section 15.12
Section 15.13
Section 15.14
Section 15.15
Inventions and technology
Pottery and porcelain

Chinese potters began making porcelain, a highly-refined form of pottery making, during the Yin and Shang dynasties. While early methods were primitive, advanced porcelain making was made possible by the development of specialised kilns which could fire kaolin, a form of white clay, at very high temperatures of around 1,200°C to obtain a hard, non-porous material.

The first true porcelain, however, was produced during the Tang Dynasty when Chinese potters learnt to control the iron content, which reduced colour interference so the porcelain could be white. Porcelain making was finally mastered during the Ming Dynasty, and high quality porcelain, or 'china', was exported to Japan and Europe. By this time, Chinese potters produced porcelain from kaolin, and used a feldspathic stone called petuntse in the process which gave it a translucent, glasslike appearance.

Photos: DCI